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Extraordinary Chambers Theater Review - David Wiener World Premiere at The Geffen Playhouse

By Beverly Cohn

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Marin Hinkle as Mara and Mather Zickel as her husband Carter. Photo: Michael Lamont

The world premiere of David Wiener’s “Extraordinary Chambers,” on stage at the Audrey Skirball Kenis Theater at the Geffen Playhouse, is a stunning fictional drama, directed with great skill by Pam MacKinnon, about a troubled couple who visit Cambodia on an innocent business trip which turns into a political cat-and-mouse game.

With the atrocities committed from 1975 to 1979 by the Khmer Rouge, known as the Democratic Kampuchea, slowly inserting itself into the unfolding events, we first meet the American couple, exquisitely played by Marin Hinkle as Mara and Mather Zickel as her husband Carter.  He has come to Cambodia to close a big telephone deal and persuaded his depressed wife to join him to perhaps cheer her up. 

Greg Watanabe as Sopoan, the American couple's Cambodian guide. Photo: Michael Lamont

Their guide is Sopoan, a survivor of the Khmer Rouge atrocities, played with profound emotionby Greg Watanabe. Seated on a chair center stage with a single light on him, he captivates the audience with his painful monologues interspersed throughout the play about his torture and the loss of his wife. 

Mara and Carter meet Dr. Heng played by Francois Chau. Photo: Michael Lamont

Sopoan drives Carter and Mara to the Phnom Penh home of the deal maker, a high-powered businessman named Dr. Heng, played to sheer perfection by Francois Chau, and his angry, enigmatic wife Rom Chang, played by Kimiko Gelman, who captures the hidden layers of this most complex character. Both she and Chau have dialogue in both French and Cambodian adding to the reality of the script.   

The truth and accompanying hidden agenda slowly begins to unfold.  Dr. Heng is going to be tried for his alleged participation in the crimes committed during the Pol Pot reign of terror that resulted in

the killing and torture of almost two million Cambodian intellectuals, businessmen, Buddhists, and foreigners. 

Dr. Heng (Francois Chau) with his wife Rom Chang (Kimiko Gelman). Photo: Michael Lamont

He claims he is innocent but desperately wants to arrange for his wife to get out of the country to spare her the horrors of the trial. But is that the real reason? His plan is to offer the adoption of a baby to the Americans who had lost their own child in an accident that is never quite explained, but we are led to believe it was through carelessness.  The hitch is Americans can’t bring Cambodian babies into the country so Rom would bring the baby to America thus securing her freedom and a child for the childless couple.

Mara looks at the photo of the young Cambodian baby Dr. Heng wants her to adopt. Photo: Michael Lamont

 Mara has met the green-eyed baby at a orphanage and wants him no matter what Dr. Heng might have done, which results in great conflict between her and Carter, who wants no part of either Dr. Heng, his wife, or the baby.

Carter is uneasy about the whole adoption deal. PHOTO: Michael Lamont

As the business deal begins to fall apart, accusations fly back and forth as to the guilt or innocence of Dr. Heng, with Carter being convinced that he is indeed guilty as charged.  The moral question is posed:  Is it worth saving the life of one baby despite the illegality of the action?  There are twists and turns to the story with an ending surprise for the audience.

Sopoan has delivered luggage to Mara and Carter. Photo: Michael Lamont

The production values serve the play extremely well, beginning with the versatile set by Myung Hee Cho, which functions as both the interior of a hotel room and the home of Dr. Heng.  With a beautiful garden showing through a window on the upstage wall, the sparse but effective set captures an almost Feng Shui feeling.  Lighting Design by Lap Chi Chu enhances the set with the appropriate mood lighting as does the Sound Design by Vincent Oliveri, which helps orchestrate the smooth multiple set changes. Hana Sooyeon Kim’s compelling rear screen productions of the faces of people tortured or killed are a chilling reminder of a yet another period in history of the incredibly brutal treatment of which mankind is capable.  One of the real tragedies was that so much of this particular horror was actually committed by very young people who had been totally brainwashed and turned into sociopaths. 

Director MacKinnon has elicited electrifying performances from her cast making this an evening of theatre well worth the ticket.


The Geffen Playhouse

10886 Le Conte Avenue

Los Angeles, CA 90024

Run:  Tuesday – Sunday Through July 3, 2011

Tickets:  310.208.5454


Published on Jun 22, 2011

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