Los Angeles Jewish Symphony Review - The Ford Amphitheatre Presents an Evening of Movie Music by Jewish Composers

With soaring Cyprus trees framing the intimate Ford Amphitheatre stage, over 1,000 devoted fans gathered to hear the well-known Los Angeles Jewish Symphony pay tribute to some of the most famous Jewish composers of scores for films with a Jewish theme.

Fans gather early to eat and mingle before the concert. Photo: Beverly Cohn

Under the able baton of Artistic Director Dr. Noreen Green, the program was entitled “Cinema Judaica” with selections from either Academy Award winners or nominees such as The Ten Commandments and The Chosen by Elmer Bernstein, and Suite from QB VII by Jerry Goldsmith, with movement five, Kaddish for the Six Million,* being one of the most dramatic pieces of evening. It was accompanied by the Ford Festival Choir that musically reproduced the fragmented sound of people praying in a synagogue. Perhaps it was the position of the mikes, but the orchestra overpowered the singers at times throughout the evening and the voices were not always blended, with one soprano voice dominating the sound.

Artistic Director Dr. Noreen Green - Courtesy Photo

Other selections included the theme from Schindler’s List by John Williams, with a tug-at-the-heart violin solo by Concert Master Mark Kashper, suite from Victory at Entebbe, suite from Joseph: King of Dreams by Danny Pelfrey, a selection from Thoroughly Modern Millie by Elmer Bernstein and Sylvia Neufeld, featuring lyric Coloratura Soprano Ariella Vaccarino who gave a rousing rendition of “Trinkt L’Chayim,” which required some audience participation, The Prince of Egypt by Stephen Schwartz, and a send-up of West Side Story called West Bank Story with a delightful Oud solo by Yuval Ron with Jamie Papish on the drum.

L-R: Garik Terzian with Principal Cellist Barry Gold - Photo: Beverly Cohn

The first half of the program was quite exciting and full of surprises with a variety of complex music laced with changing rhythms, sounds, and dynamics, including toe-tapping Kletzmer, played by Principal Clarinet Zinovy Goro, and a jazz interlude by Chris Harden on piano with his jazz quartet. A most charming Dr. Green gave a little background before each selection including a quiz on which films won awards. The audience was quite knowledgeable and got just about all the correct answers.

LAJS Concert Master Mark Kashper, Artistic Director Dr. Noreen Green and Principal Clarinet Zinovy Goro. Courtesy Photo

The second half of the program became somewhat problematic in terms of the music being repetitious with very few musical surprises and perhaps should have been shortened. Dr. Green made a decision not to show film clips which probably was not the best choice as it would have certainly at least helped the last third of the program. It’s an old show biz saw that you always leave the audience wanting more.

It must be said that this is an organization deeply committed to the community and in their desire to “build bridges of music and understanding with the diverse multi-ethnic communities in Los Angeles,” conducts educational outreach programming for over 1,000 school children every year.” According to Dr. Green’s husband, LAJS President, Dr. Ian Drew, “ It’s all about giving back and we do this as a Mitzvah** to the Jewish Community.” He add, “Our musicians love playing with us and for them it’s a labor of love and many of the tell me that they feel spiritually uplifted after playing this music.”

Carolyn Osborn, Assistant Lead Violinist With the Orchestra for 10 years. Photo: Beverly Cohn

*Jewish prayer for the dead.

**A blessing

NOTE: You don’t have to be Jewish play in the orchestra.

http://www.lajewishsymphony.org/

 

 

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