Hoboken To Hollywood Theatre Review - A Journey Through the Great American Songbook,” is a Veritable Musical and Visual Treat

Luca Ellis as the famous crooner with the Paul Litteral Orchestra as the Nelson Riddle Orchestra. Photo: James W. Thompson

For lovers of Frank Sinatra, Big Band music, as well as a nostalgic glimpse into the earlier challenges of shooting a television show, Hoboken to Hollywood, billed as “A Journey Through the Great American Songbook,” is a veritable musical and visual treat.

A world-premiere guest production on stage at the Edgemar Center for the Arts, produced by Peach Reasoner, this glorious evening of music, with a sprinkling of comedic theatrics, is skillfully directed by Jeremy Aldridge who won the L.A. Drama Critics Circle Award for his direction of the delightful Louis & Keely, Live at the Sahara.

Movie-star handsome Luca Ellis singing one of Sinatra's famous hits. Photo: James W. Thompson

The book, co-written by Luca Ellis, Paul Litteral (Musical Director) and Jeremy Aldridge, is the story of the behind-the-scenes challenges of taping a mid-sixties television special starring Frank Sinatra, played with exquisite perfection by the matinee-idol gorgeous, Luca Ellis who has captured the tone, phrasing, and physical characteristics of the greatest pop voice of the last century.

Luca Ellis try to be patient with Andy (Pat Towne.) Photo: James W. Thompson

As the audience files in, Paul McDonald is at the piano playing such selections as Night and Day setting the tone for the musical treats that await you. The cast and members of the Nelson Riddle Orchestra (the fabulous Paul Litteral Orchestra,) Jeff Markgraff as Nelson Riddle, mill about the stage, talking and kibitzing with each other as the technical components, which have fallen squarely on second assistant director Andy’s shoulders, played marvelously by Pat Towne, are attended to. He gives a hilarious performance as the frantic, beleaguered techie who suddenly has to take charge and feels ill equipped to do. Throughout the “taping,” Andy is in a constant state of near hysteria, slinking or crawling on the floor adjusting cords, slating the takes, holding a microphone, lying down on his side holding cue cards, or taking instructions from the trying-to-be patient director Dwight (Al Bernstein.) Andy grows more frantic as he tries to juggle as many technical balls as he can, some with very funny failures. But don’t despair, as Andy gets his special moment that surprises the audience and leaves them cheering.

Al Bernstein as Dwight the television director, looks on as Chandler Hill reads a commercial. Photo: James W. Thompson

Adding to the authenticity of the evening, there are several very amusing tapings of a commercial for a “Schmimex” watch which Takes a Licking and Keeps on….Telling Time. (ha ha for those of you who remember the original John Cameron Swayze Timex commercials – It Takes a Licking But Keeps on Ticking.) Chandler Hill as the announcer has the perfect deep voice and Franci Montgomery as his assistant Darlene is the appropriate “air head” demonstrator. Also included are amusing commercials for the Ford Mustang introduced in 1964 at a sticker price of $2,500.

Art Director James W. Thompson has created a wonderful, authentic set, complete with a bandstand, television cameras (sometimes a bit intrusive) and all the technical elements that would go into taping a show. Kathi O’Donohue does a nice job with the lighting design as does costume designer Jessica Olson and sound designer Ron Hitchcock.

Al Bernstein as Dwight the television director, looks on as Chandler Hill reads a commercial. Photo: James W. Thompson

All this said, the glue that keeps the entire production going is the velvet voice of Luca Ellis. His 1,000 megawatts smile lights up the stage as he gives the Sinatra rendition of such standards as Route 66, Bye, Bye, Blackbird, Swinging on a Star, Almost Like Being in Love, I’ve Got My Love to Keep Me Warm, Call Me Irresponsible, Don’t Worry ‘Bout Me, Old Black Magic, Blue Moon, Fly Me to the Moon, Young at Heart, and the magical One For My Baby which Ellis sings at a dimly-lit bar with a cigarette and a drink. (Maybe use a fake cigarette?) Oh yes, there’s that famous street lamp with Ellis wearing a trench coat and fedora as he walks off stage leaving a very happy audience who just experienced a thrilling walk back in musical time to revisit some of our most favorite songs.

Edgemar Center for the Arts

2437 Main Street

Santa Monica, CA 90405

Run: Friday – Sunday Thru December 12.

Reservations: 310.392.7327

Online Ticketing: http://www.edgemarcenter.org/

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