2011_Review - and A look ahead to 2012

As I look back over my first full year of publishing opera reviews in SPLASH Magazine, January seems like a good time to reflect on some of the operatic highlights of the past year.  It came as something of a shock to me when I realized that I had written and published an even fifty reviews of performances I had seen during the year.  On the average, that’s an opera a week with a measly two weeks off for the entire year.  And “average” doesn’t tell the story.  For example I published only 2 reviews in March, but 8 in April.

West Bay Opera’s Turandot: Opera Nut’s Opera of the Year 2011; photo by Steve DiBartolomeo

People are always making lists of the “Ten Best . . .” so I thought I might try it.  I went through my reviews one by one and just put each one in one of two piles: “Best” or “Other” without worrying how many would end up “Best”.   It turns out that I have sixteen “Ten Best” – no problem.  I’ll just use a hexidecimal definition of  “Ten”.

It’s a pretty eclectic list, and there is no way I could rank them 1 to 10, so here they are in inverse chronological order:

Rodelinda

MetHD

Satyagraha

MetHD

Tosca

EuroHD-ROH (London)

La Voix Humaine

Opera San Jose

Heart of a Soldier

San Francisco Opera

Idomeneo

Opera San Jose

Marriage of Figaro

Pocket Opera

Wagner’s Ring Cycle

San Francisco Opera

Rigoletto in Mantua

EuroHD-Mantua

Il Trovatore

MetHD

Capriccio

MetHD

La Bohème

Opera San Jose

Le Comte Ory

MetHD

Iphigénie en Tauride

MetHD

Turandot

West Bay Opera

Nixon in China

MetHD


Click on the opera title if you’d like to read my review.

David Gustafson as Calàf andLiisa Dávila as Liù in WBO’s Turandot; photo by Steve DiBartolomeo



Which is my #1 favorite?  Ask me that question every day for a week and I’d probably give at least 5 different answers.  Let’s make the question more specific.  If a kindly Genie granted me the chance to repeat the total experience of reliving one of those opera  performances, which one would I choose?  It depends.  All right, make it very specific.  It is now 5 pm Saturday afternoon, and I can relive the performance of my choice starting at 2 pm tomorrow; I have 30 seconds to decide.  30, 29, 28,  . . . 9, 8, . . . STOP! I pick Turandot.  Read my review if you’d like to know my reasons.


This is fun.  Let's say I do the Genie another favor and he says I can pick three more operas to see on consecutive days next June when not much else is doing, operatically.  And I can take my time thinking about it.

Nina Stemme as Brünnhilde in SFO’s production of the Ring Cycle; photo by Cory Weaver



“Hey, Genie.  Can I count the Ring Cycle as one the way Wagner visualized it”?  “Sure – be my guest”.  “Thanks.”  I pick the SFO performance over the MetHD for several reasons.  First, Brünnhilde: Deborah Voigt is a consummate actress, but Nina Stemme didn’t just act the part – she lived it.  Second, cumulative effect of seeing all four operas in six days as opposed to a span of almost 2 years.  Third, the production; SFO’s use of modern dress and settings made the gods seem more like human beings, albeit on a larger scale whereas the Met’s technological wizardry was impressive for it’s own sake but didn’t add that much to the opera experience.  And finally, the vibrancy and responsive audience of a Live performance.more than made up for the lack of close-ups.

Ghandi (Richard Croft) in the MetHD production of Satyagraha; photo by Ken Howard/Metropolitan Opera



Then, I want to include one of the three bioperas.  I wouldn’t mind a bit going again to Heart of a Soldier or Nixon in China, but I’ll pick Satyagraha because it probably has more depths that I missed the first time.

Susanna (Aimee Puentes), Cherubino (Rebecca Kouner), Figaro (Rolfe Dauz) in Pocket Opera’s production of Marriage of Figaro; photo by Robert Selinsky for Pocket Opera

 

I’ll start my week with the biopera and end it with the Ring.  Between these two heavyweights, I need something light and the nod goes to Pocket Opera’s production of Marriage of Figaro.

Pastiche of set for Opera San Jose’s production of La Voix Humaine

 

I wouldn’t dare ask the Genie for more, but if he felt real generous, I’d go for Opera San Jose’s intense 40 minute production of La Voix Humaine – and I’ll toss a coin between Suzan Hanson and Betany Coffland as the soloist.





And that’s it for 2011.  But look what’s coming up for 2012!  It’s mid-season for most opera companies, but Pocket Opera performs February through July:

THE ABDUCTION FROM THE SERAGLIO (Mozart) 
(YANKED FROM THE HAREM)

March 4 & 11 - Marines Memorial, San Francisco
 March 18 - Hillside Club, Berkeley

COUNT ORY (Rossini)
April 15 & 22 - Marines Memorial
 April 29 - Hillside Club

TESEO (Handel - In Italian, with narration)
June 3 - Marines Memorial
June 10 - Hillside Club

NORMA (Bellini)
June 24 & July 1- Marines Memorial
July 8 - Hillside Club

THE TALES OF HOFFMANN (Offenbach)
July 22 & 29 - Marines Memorial
 August 5 - Hillside Club


West Bay Opera:The Holt Building,
221 Lambert Avenue,
Palo Alto, CA 94306,Tel: 650-843-3900,
Fax: 650-843-3904;
performances at Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto, California, 94306

 West Bay Opera has two remaining productions this season and will presumably have something scheduled for the fall of 2012:

 Don Giovanni   
Feb 17, 19, 25 and 26, 2012
Music by Wolfgang Amadeus Mozart

Libretto by Lorenzo da Ponte

Aida
  May 25, 27, June 2 and 3, 2012
Music by Giuseppe Verd

Libretto by Antonio Ghislanzoni


OPERA SAN JOSÉ
, 2149 PARAGON DRIVE, SAN JOSE  CA  95131-1312
[email protected], PHONE 408.437.4450, FAX 408.437.4455


 It’s two down and two to go for Opera San Jose.  Don’t know what they will offer next fall, but looking forward to seeing these two this season:

 Verdi’s La Traviata   February 11-26
Gounod
’s Faust   April 21 – May 6

California Theatre
345 S. 1st Street
San Jose,  California


SAN FRANCISCO OPERA,
301 Van Ness Avenue,
San Francisco, CA 94102,
(415) 861-4008
Ticket and Patron Services
Telephone: (415) 864-3330,
Fax: (415) 626-1729

San Francisco Opera offers two distinct seasons each year.  The 2011 Fall season had five operas, so I presume 2012 Fall will be about the same.  Still to come this spring are:

Nixon in China    6 performances, June 14 – July 7
Music by John Adams
Libretto by Alice Goodman

Attila       6 performances, June 14 – July 1
Music by Guisepe Verdi
Libretto by Ternistocle Solera

The Magic Flute      9 performances, June 13 – July 8
Music by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder


The Metropolitan Opera, Lincoln Center, New York, New York  10023; Tickets and Customer Care 212-362-6000, Administrative Offices 212-799-3100

That looks like a pretty good line-up for Live Opera and we also have two wonderful HD series to cover.  In 2011-12 the MetHD offered 11 operas of which we’ve already see 7.  Hopefully, they’ll show at least that many in 1012-13.  Remaining for this season are:

 The Enchanted Island– New Production
January 21, 2012, 12:55 pm ET

U.S.     Encore: February 8, 2012 at 6:30 pm local time
Canada Encore:  March 3, 2012 at 1 pm local time
                        
                         March 26, 2012 at 6:30 pm local time

Wagner’s Götterdämmerung – New Production
February 11, 2012, 12 pm ET
Encore dates to be determined

Verdi’s Ernani
February 25, 2012, 12:55 pm ET

U.S. Encore: March 14, 2012 at 6:30 pm local time

Canada Encore: March 31, 2012 at 1 pm local time

Verdi’s La Traviata
April 14, 2012, 12:55 pm ET

U.S. Encore: May 2, 2012 at 6:30 pm local time

Canada Encores: May 26, 2012 at 1 pm local time
                        
                         June 4, 2012 at 6:30 pm local time

 

Finally, there’s the EuroHD series from EmergingPictures.  This series is different from the MetHD in that each of the hundred or more theatres chooses its own performance date.  Furthermore, the theatres seem to vary in how far in advance they program opera performances.  The table below shows what performances will be available at Camera 3 Cinema through May 1.

January 22 (12 noon) & 24 (7:30pm)
Cendrillon
(Massenet) -- Royal Opera House, London, England

February 5 (12 noon) & 7 (7:30pm)
Il Trittico
(Puccini) -- Royal Opera House, London, England

February 19 (12 noon) & 21 (7:30pm)
Faust
(Charles-Francois Gounod) -- Royal Opera House, London, England

March 25 (12 noon) & 27 (7:30pm)
La Boheme
(Puccini) -- Gran Teatro del Liceu, Barcelona, Spain

April 29 (12 noon) & May 1 (7:30pm)
Rigoletto
(Verdi) -- Royal Opera House, London, England

 To check for other locations or at later dates, go to EmergingPictures and click Titles from the menu across the top. 

 

 Scroll down until you see the red opera icons and click on the name of the opera of your choice.  Type your Zip Code in the appropriate box and click Find Showtimes (you can change the radius of the search circle if you wish).  Click on your Theatre and you will see a list of all the operas that are currently scheduled at that theatre.  If you then click on Buy Tickets you may get a page controlled by that theatre with more information.  Good Luck!

 And there you have it.  I probably won’t get to ALL of these operas, but I’ll be doing my best.



 

 

 

 

 

 

 

 

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